Forever Pavot

kruis

“Fashion is what goes out of fashion”, used to say Cocteau. Although he died without having been able to listen to the first Forever Pavot’s album, we must grant the poet the gift of prophecy: the classical opposition between past and future is completely stupid. On these grounds, Forever Pavot has done honourably. Create new things with old ones, or rather make something beautiful with the old, it is the ambition of “Rhapsode”, record where Ennio Morricone, Francis Lai and other film music composers from the 60’s find at last the singer they were missing.

 

But beware, under the cobblestones of these 68’s composers, no plagiarism. In the same way that old stone is a long term investment, one is tempted to describe Emile Sornin, Forever Pavot’s leader, as a maker of things solid, expert in both messing around and demolishing walls. 

 

The name Forever Pavot was not born of an apology of drugs: “It started as a joke. One day I read too fast a “flower power” poorly written on a school pencil case. It made me laugh“, said Emile.

 

Fan of Jazz programming and of Turkish psyche, he is also shooting video clip for others (Disclosure’s videos or Dizzee Rascal’s) and proves at every moment that appearances are often misleading. “I feel a bit like Stereolab or Broadcast, artists who draw from the past to make something new (…) Ten years ago or so, I was doing hardcore punk, then I did chiptune, pop, compos garage / folk recorded on K7, and now things inspired from the 60’s movie music … the only guideline are my desires. Nobody will be able to get in my way if I want to make a reggae album in three years or an album of French songs. Because I’m the one who decides.”

 

Being modern is being master of one’s time. As for Emile’s paradise, it is obviously paved with good intentions.

Agent: Marije van Veen

Label: Born Bad

Territory: NL

Availability: Generally available

PhotoFP_credit_GREG_DEZECOT